Divergence (2005)
Original Title: 三岔口
Translation: Three-Way Intersection
Starring:
Aaron Kwok Fu-Sing, Daniel Wu Yin-Cho, Ekin Cheng Yee-Kin, Gallen Lo Ka-Leung,
Angelica Lee Sin-Je, Ning Jing, Yu Rongguang, Tommy Yuen Man-On, Samuel Pang
King-Chi, Jan Lam Hoi-Fung, Eric Tsang Chi-Wai, Lam Suet
Director:
Benny Chan
Action Director: Nicky Li Chung-Chi
For more than 20 years, I have had
something of an obsession with the Hong Kong Film Award for Best Action
Choreography. Hollywood has never had anything like that. There has been a move
to get the Academy Awards to have a best Stunt Coordination category (or
something like that) for a number of years, but the Powers That Be have always
dismissed it. Their reasoning is that stunt people already have their own
awards, which are the Taurus/World Stunt Awards. Obviously, that excuse makes
little sense: if a film can win Best Screenplay or Best Editing or Best Music
at multiple awards ceremonies, including the Oscars, then why not Best Stunt
Coordination?
In any case, Hong Kong has long prized
itself on a quality action and recognizing it: the Best Action Choreography
award goes all the way back to the 2nd Annual Hong Kong Film Awards,
for films made in 1982. And although the quality of Hong Kong cinema on the
whole has fallen in recent years, I still follow up on that specific award. Back
in early 2006, when I was checking out the nominees for Best Action
Choreography at the 25th Annual Hong Kong Film Awards, I was
expecting a line-up to be something along the lines of Sha Po Lang; Seven
Swords; House of Fury; The Myth; and Dragon Squad. That last one
didn’t make the cut, with a film from Divergence by the late Benny Chan
being included instead. Divergence hadn’t been covered by the
then-active Kung Fu Cinema website, so I wondered what this film’s deal was.
From an action standpoint, not much.
The film begins with a girl being chased
through the streets of Hong Kong by some guy (Samuel Pang, of My Schoolmate,
the Barbarian) that clearly has the intent to rob or rape her. When the
girl runs into a lady she knows on the street, the guy hides to collect himself
and figure out his next move. Suddenly, an unseen figure with a garotte
strangles him to death.
Cut to a plane fight from Canada to Hong
Kong, where policeman Suen (Aaron Kwok, of 2000 A.D. and The Storm
Riders) is accompanying an enormous (in height and width) man by the name
of Hung Chi-Man (Patrick Chow) into police custody. Apparently, Hung was an
accountant working for rich businessman Yiu Tin-Chung (Gallen Lo, of A
Warrior’s Tragedy and Vampire Controller), who does money laundering
for the triads. Hung is to be the prosecutor’s star witness in the case against
Yiu, but as with every single Hong Kong film I’ve ever seen, he’s not long for
this world. He is taken out by a sniper rifle on the car ride out of the
airport. The assassin is Koo (Daniel Wu, of House of Fury and “Into the
Badlands”), a freelancer from the Mainland. Koo considers taking Suen out, too,
but decides against it.
Lots of stuff starts happening from this
point on. Koo takes an interest in Sullen Suen, telling his agent, Ting (Ning
Jing, of 1911 and The Missing Gun), that he knew Suen’s
girlfriend (Angelica Lee, of Princess D and The Eye). This is
significant, because Suen’s girlfriend disappeared without a trace ten years
ago. Suen spends his days teetering between “angry cop on the edge” and being
all teary-eyed when he thinks about his girlfriend. Koo also starts having an
affair with Ting, despite it being against the Hitman’s Handbook. While staking
out a public event involving Yiu Tin-Chun’s rapper-dancer-boy band son, Yiu Ha
(Tommy Yuen, of One Nite in Mongkok and Dragon Tiger Gate), Suen
notices one thing that catches his eye. Elder Yiu’s personal attorney, To
Hou-San (Ekin Cheng, of A Man Called Hero and Heroic Duo), is
married to a lady that looks exactly like his missing girlfriend (also
Angelica Lee). Is it her? Meanwhile, Yiu Ha goes missing.
This is where things get complicated.
You see, Yiu Tin-Chun’s assets were frozen during the criminal case against
him. Although the judicial order to release his assets has been given, his
Triad buddies, led by Mr. Tsim (Lau Siu-Ming), have been pressuring him to give
them their money. Yiu Tin-Chun thinks that Mr. Tsim has kidnapped his son in
order to pressure him into transferring the money even faster. The kidnapping
reaches the Hong Kong tabloids within days, which piques the curiosity of both
Suen and Koo and puts them on a crash course with each other. And when Mao (Lam
Suet, of The Mission and Exiled), To’s personal P.I. who’s
investigating the disappearance of young Yiu, turns up dead, then Suen will find
himself to be a suspect in the case, too.
Divergence
is not an action film, but a multi-layered crime drama with some thriller
elements. Lots of stuff happens, most of it relevant to story, some of it not.
Seemingly random scenes that pop up in the story, including the opening scene,
end up figuring into the narrative as the film progresses. There are number of
things that don’t get explained as much as they should, like what happens to
Koo and Ting at the end. I sorta think that the title should have been Convergence,
since it is about how three separate characters end up on a collision course
with each other. The Brazilian title of
the film is O Justiceiro[1],
which translates into “The Vigilante,” which ultimately hints to the big twist
at the end.
The film is defeated by a lack of
forward momentum. Too much time is spent focusing on Aaron Kwok as he gets all
teary eyed whenever he thinks about his missing girlfriend, or him stalking To’s
wife…or both. Aaron Kwok’s overacting in many of these scenes is typical of
Benny Chan, but takes away from the film as a whole. This repetitive melodrama takes
away from the growing tension between Yiu and Tsim, which eventually erupts
into violence at the end. I also wish that Koo had figured more into the main
conflict of the story. Despite a good performance from Daniel Wu, Koo is just there
after his big action sequence with Aaron Kwok.
There are two main action sequences in Divergence,
staged by Benny Chan favorite Nicky Li Chung-Chi. The first one is a prolonged
foot chase between Kwok and Wu, which starts on a busy highway and ends at a
fish market where the two engage in a martial arts exchange while
simultaneously trying to suffocate each other with plastic bags. The finale is
set in the rain and is a violent firefight between two groups of Triads, ending
with a final hand-to-hand exchange between Aaron Kwok and another character.
The former sequence is actually filmed very well. The latter is a little
lackluster.
Is Divergence good? Eh…sorta…I
guess. The production values are solid. The cinematography is fine. A couple of
the performances are good. The limited action sequences aren’t bad, but they certainly
weren’t collectively deserving of an award…or even a nomination. I certainly
would have chosen Dragon Squad over this one. The complex plot of the
movie had potential, but needed fewer scenes of Aaron Kwok looking morose and
wussy and more tension building…and more for Daniel Wu to do. It’s just okay in
the end.
[1] - “Justiceiro” in Portuguese means “Vigilante.” It
the Portuguese name given to the Marvel character The Punisher (and all his
films). It is also the alternate Brazilian title for Jet Li’s The Enforcer,
aka My Father is a Hero.
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