Ma Su-Chen Takes Revenge (1988)
Chinese Title: 馬素貞複仇記
Translation: Ma Suzhen: Avenge Record
Starring:
Li Yun-Juan, Kwok Wai-Ping, Wang Jian-Guo, Lin Ji-Fan, Li Xiang-Chun
Director:
Shen Yao-Ting
Action Director:
In eary 1972, the Shaw Brothers released
what would become one of their bloodier classic martial arts films, The
Boxer from Shantung with Chen Kuan Tai. Telling the story of real-life
boxer Ma Wing-Jing (mandarin: Ma Yongzheng), the film is most notable for its
long and brutal finale where Ma takes out an entire gang…while sporting a
hatchet rammed into his gut! That same year saw a low-budget Taiwanese take on
the same material, Furious Slaughter, starring “martial arts” legend
Jimmy Wang Yu. Imitation is the sincerest form of flattery, right?
Well, the story of Ma Yongzheng goes
beyond his untimely demise. Apparently, Mr. Ma had a sister, Ma Suzhen, who was
just as a good a fighter as he was, if not better. She apparently headed out to
Shanghai after receiving news of her brother’s murder and kicked some kung fu
ass in his name. Interestingly enough, no fewer than four films were made about
her between 1972 and 1973. Two of those, Queen Boxer and Heroine Susan, Sister of San-Tung Boxer, were essentially unofficial sequels to The
Boxer from Shantung, complete with recreations of that’s films famous
climax. Ma Su Chen was a sequel to Furious Slaughter, made that
same year. Finally, there was Brave Girl Boxer from Shanghai, which
starred a young Doris Lung and had a typical (for the era) anti-Japanese bent
to it.
Ma Su-Chen Takes Revenge, a late 80s film from the People’s Republic of China, is
interesting in that it doesn’t follow any existing film on Ma Yongzheng.
Instead, it focuses on the lead character’s search for revenge while telling
the story of her brother through a few prolonged flashbacks.
The film opens with our heroine (Li
Yun-Juan, of In Sword We Trust) learning of her brother’s assassination
and vowing revenge. She takes a train over to Shanghai, where she falls in with
Master Chai (Li Xiangchun), a leader of the Shandong Association and close
associate of her brother’s. She learns from him that his brother had gotten
involved in a conflict between some peasants and a local criminal named Bai La Li
(Du Jifan—amusingly, the character for “Li’ in the villain’s name means
“diarrhea”). Bai La Li was hired by the Europeans from the Shanghai
international zone to force the locals to sell their homes for pennies on the
dollar so they could build a race track. Ma Yongzheng stepped in and fought off
the thugs, thereby signing his death warrant with the foreigners.
What really gets Yongzheng on Bai La
Li’s sh*t-list is when he and his colleagues storm Bai’s wedding—to his fourth
concubine, a singer who has fallen for Ma—and beat everybody up and steal away
the bride. She ends up getting killed, while Bai hires the Axe Gang, led by
Cheng Zimin (Lin Rongcai, of Secret Imperial Edict), to deal with Ma
Yongzheng. They ambush him at the Shandong Association, throw lime in his eyes,
and then chop him down with axes.
Ma Suzhen’s first order of business is
to dress up as a Western gentleman and show up at Bai La Li’s place, pretending
to sell opium. Bai figures out who she is and invites “him” to a guy’s athletic
club where he tells “him” to get undressed. She refuses to, which leads to a
fight between her and Bai’s men. She gets injured, but is ultimately rescued by
Master Chai’s son.
After she recovers, she once again
assumes a disguise—this time as a Qing guard—and visits the local jail where
Yongzheng’s best friend, Bao Qing, is being held (he’d been framed for Ma’s
murder). After learning more details about her brother’s dealings, Bao is
killed by an unknown assailant before he can tell her who the traitor within
the Shandong society is. But what she does know is that the Axe Gang is
involved.
So, she dresses up as a man once more
and goes to the local brothel and orders a room with Chen Zimin’s favorite
prostitute. When he shows up for his nightly dinner-and-a-f*ck, Ma appears out
of the shadows with revenge on her mind. He makes a deal with her to hand Bai
La Li and he reveals to her the name of the traitor that has gotten in the way
of her assassination attempts. After confronting the traitor, it’s time for some
revenge!
This may be the weakest of the Ma Suzhen
films overall. The film is slow paced, which shouldn’t be a problem,
considering the general simplicity of the Ma Suzhen story: she shows up in
Shanghai, cracks a few heads, finds out who’s responsible for her brother’s
murder, and cracks some more heads. This film does give us a bit more meat by
going over her brother’s story—which was my complaint about Heroine Susan,
that it could have been the third act of a larger film about the Ma family--while
introducing the subplot of a traitor amongst Ma Yongzheng’s friends. I just
felt that the action itself did not compensate the overall pacing of the movie:
Ma Suzhen doesn’t get her first fight until about 30 minutes in and the climax
was a bit of a let down in the martial arts department.
What the film does to set itself apart
from the other four movies about the personage is that it tries to follow
history, namely setting the story in the Qing Dynasty and throwing in the
detail about Ma Yongzhen involved in horse racing. The other films were set in
the Republic Era, probably in the 1920s. I also liked how cunning Ma Suzhen is
portrayed as being, using trickery and disguises in addition to her martial skills.
The action isn’t good enough in quality
or quantity to make up for the movie’s pacing issues. Actress Li Yun-Juan is a
solid martial artist and has some pretty good kicks. However, her fight scenes
are hampered by some unremarkable hand techniques and unnecessary wire-aided moves.
The actor who plays Ma Yongzheng is pretty good. He also has a helper who busts
out some Drunken Boxing during the wedding fight. The weapons—sabre, pole, and
knife—are just okay. Nothing particularly flashing or interesting about those,
which is disappointing, considering this is a Mainland film.
There’s a big group melee near the end where
Ma Suzhen and some others try to assassinate Bai La Li at a Opera concert. The
fight almost resembles a Jackie Chan, mixing comedy (mainly some shameless
mugging whenever someone gets hit in the head) with violence. One guy pulls out
a pair of nunchaku and does an impressive demonstration before Suzhen just
takes him out with her trusty bullwhip. She does that again in the finale,
which is sort of disappointing. Once Upon a Time in China IV had some
interesting over-the-top action involving a whip, but here, it’s just her
standing, cracking the whip, and cut to some guy falling down. It’s not very
interesting. The finale has some fun Tarzan-esque swinging-on-banners fighting,
but the final showdown with Bai La Li is a letdown. You had some good fighters
here, but they are let down by the film’s action director, who should have done
more and better things with their abilities.
This is sure an obscure film. Where did that pop up? I would love a good version of Queen Boxer. Have you seen Heroine Susan and Brave Girl? They sound interesting.
ReplyDeleteI reviewed Heroine Susan at this site. I've seen Brave Girl twice, but never did a full-length review, just a capsule:
Delete"A Brave Girl-Boxer in Shanghai (1972) - Having unexpectedly enjoyed Yen Yu-Lung's choreography in Duel of Karate, I decided to check this film out to see if he had pushed his craft forward. I'm proud to say that he did. The story covers the same ground as Judy Lee/Chia Ling's Queen Boxer, as it follows the exploits of Ma Wing-Jing's sister (thus making it an unofficial sequel to Chen Kuan-Tai's Boxer from Shantung) as she seeks revenge for her brother's death. Being an early 70s basher, that mainly means that Miss Ma will be kicking the living s*** out of everybody she meets until she fights the right person. Doris Lung fans should rejoice, because this is 80 minutes of her kicking a** and taking names.Her moves aren't as flashy as some her later films, but Yen Yu-Lung's choreography is a bit more varied and crisper that it was in Duel of Karate."